Picturebooks for Adults, Part I

Going through the slush pile a few weeks ago, I came across an artist who layers photographs and clipart pieces to create ethereal digital collage artwork. I wish I could show them to you, but unfortunately the artist doesn't have a website. While the project wasn't right for Houghton Mifflin, the illustrations were beautiful, and for me, immediately brought to mind the song used in this video:


(The song is Strange Love by Little Annie, and it's eerie, and a little weird, and I love it. If you want to hear the whole song, click here, though I have to warn you that the typewritten lyrics on the YouTube video are a little off.)

I could envision full-color, full-bleed pictures adding their surreal quality to the already haunting lyrics. Of course, with the heavy, sexy lyrics and accompanying illustrations, this picture book is more appropriate for adults than children, and that thought made me consider the concept of picture books intended for adults as a whole.

The picture book that immediately came to mind was Griffin and Sabine: An Extraordinary Correspondence (9780877017882, $19.95, Chronicle) by Nick Bantock. There are four books in this series that is a mysterious love story between two people named Griffin and Sabine, spanning continents and time continuums. Each book contains gorgeous hand-designed postcards and letters between the two lovers as they unravel the mystery of their romantic communication. Perfect for fans of The Time Traveler's Wife by Audrey Niffenegger, though not quite as dark.

Speaking of Audrey Niffenegger, she has created several picture books for adults: The Adventuress (9780810970526, $27.95, Abrams), The Night Bookmobile (9780810996175, $19.95, Abrams), and The Three Incestuous Sisters (9780810959279, $27.95, Abrams). In keeping with the classic Audrey Niffenegger style, these picture books are dark and fantastical while exploring complex emotions of primarily female characters.

Not all picture books intended for adults are as serious as these. Theodor Seuss Geisel, better known as Dr. Seuss, had quite the naughty side. In addition to writing beloved children's books, Dr. Seuss was also a political cartoonist during World War II; his cartoons have been collected in Dr. Seuss Goes to War (9781565847040, $19.95, Perseus). He also wrote several picture books that are much more adult-themed in nature, including You're Only Old Once!: A Book for Obsolete Children (9780394551906, $17.99, Random House), detailing the hilarious medical checkup one of a certain age might go through, and Seven Lady Godivas: The True Facts Concerning History's Barest Family (out-of-print), a book featuring seven naked ladies romping through tongue-in-cheek explanations of common idioms. Then, of course, there are other Dr. Seuss classics that are favorites to give to adults upon certain graduations and employment transitions, such as Oh, the Places You'll Go! (9780679805274, $17.99, Random House).

Other children's books are often given between adults for various holidays. Two of my favorites make perfect Valentine's Day presents for both friends and loved ones: I Like You by Sandol Stoddard Warburg, illustrated by Jacqueline Chwast (9780395071762, $6.95, Houghton Mifflin) and A Friend is Someone Who Likes You by Joan Walsh Anglund (9780152296780, $9.95, Houghton Mifflin). Both of these offer adorable illustrations accompanying sweet, child-like text celebrating like, love, and friendship. Though those were published as children's books, their full value is understood more by adults, I think, who can better appreciate the nuances of both text and illustration.

This is true for many other children's picture books, whose humor, while appealing to children, is of a particularly cheeky, sarcastic, implied, or ironic nature that is greatly enjoyed by adults. Some of my personal favorites catering to the dual audience are the Knuffle Bunny trilogy, the Pigeon books, and the Elephant & Piggie series created by Mo Willems. A classic of this genre is The Stinky Cheese Man and Other Fairly Stupid Tales (9780670844876, $17.99, Viking/Penguin), hilarious retellings of classic fairy tales by Jon Scieszka, illustrated by Lane Smith. Lane Smith is quite the connoisseur of this type of work, both by discussing children's books in an adult way on his blog Curious Pages, and by creating books of this nature, such as the recent release It's a Book (9781596436060, $12.99, Roaring Brook Press/Macmillan), a book about the introduction of a hard copy book in a digital age.

It's a Book walks that fine line between being really intended for an adult audience but being published in a children's market. There are many picture books published in this vein, such as All My Friends Are Dead (thanks to A. Neff for this!) by Avery Monsen and Jory John (9780811874557, $9.95, Chronicle), just published in June, about all the people, animals, and objects who have deceased friends. I can't think of a single friend who wouldn't snort with laughter at this snarky book.

What are some of your favorite picture books?

Stay tuned for Part II!

Gift of Reading Club Selections: April 2010

Ever have one of those "duh" moments when you wonder why it took you so long to think of that simple, yet brilliant, idea?

Each month at the Odyssey Bookshop, I hand-select books for children signed up for our Gift of Reading Program. Usually a family member or close family friend signs up the child (age infant through teen), and each month I pick out, ring up, gift wrap, and mail out a book chosen specifically for them. The books have usually been recently published (within the last three months or so), and is chosen based on the age of the child, the gender (yes, I take that into consideration, though I do think outside the box) of the child, the reading level, if I know anything about the child's reading preferences, the literary merit of the book, the artistic merit of the book, and of course, my own personal taste.

Why I never thought to blog about my selections before is beyond me. I will now begin to do so, using only age and gender to identify the recipient of the book. Here they are:

April 2010 Gift of Reading Club Selections
(by age)

Baby (months old) female:

Gossie Plays Hide and Seek
by Olivier Dunrea 
9780547242965, Houghton Mifflin Harcourt, $13.99

1 yr/o male:

Trucks: A Mini Animotion Book
by Accord Publishing
9780740792007, Accord Publishing, $9.99

I Like Bugs
by Lorena Siminovitch
9780740792007, Candlewick Press, $6.99  

Zoo Parade!
by Harriet Ziefert, illustrated by Simms Taback  
9781593540142, Blue Apple Books, $8.95 

2 yr/o female:

Pepi Sings a New Song
by Laura Ljungkvist
9781416991380, Beach Lane Books (Simon & Schuster), $16.99 

3 yr/o male:

Giant Pop-Out Ocean
9780811874793, Chronicle, $10.99 

4 yr/o female:

The Sandwich Swap
by Her Majesty Queen Rania AlAbdullah of Jordan, with Kelly DiPucchio, illustrated by Tricia Tusa
9781423124849, Harper, $16.98

Gumption
by Elise Broach, illustrated by Richard Egielski
9781416916284, Simon & Schuster, $16.99

The Django
by Levi Pinfold
9780763647889, Templar Books (Candlewick), $16.99


6 & & yr/o male:

Shark vs. Train
by Chris Barton, illustrated by Tom Lichtenheld
9780316007627, Little, Brown for Young Readers (Hachette), $16.99 


7 & 8 yr/o female:

Madame Pamplemousse and her Incredible Edibles
by Rupert Kingfisher, illustrated by Sue Hellard
9781599903064, Bloomsbury (Macmillan), $15.99


9 yr/o female:


Kaline Klattermaster's Tree House
by Haven Kimmel, illustrated by Peter Brown
9780689874031, Simon & Schuster, $5.99


8, 9, & 10 yr/o male:

Big Nate: In a Class By Himself
by Lincoln Peirce
9780061944345, Harper, $12.99

11 & 12 yr/o male:

Dangerous Book of Heroes
by Conn & David Iggulden
9780061928246, William Morrow & Co, $26.99

12 yr/o female:


The Incorrigible Children of Ashton Place
by Maryrose Wood, illustrated by Jon Klassen
9780061791055, Harper, $15.99

15 yr/o female:

And Both Were Young
by Madeleine L'Engle
9780374303648, Farrar Straus & Giroux (Macmillan), $16.99

Author Visit: David Hyde Costello, Author of I Can Help and Here They Come!

You want to know why I love my job?

Yes, I get to read children's books months before they get published and then recommend them to you and others to read. Yes, I get to hold weekly storytimes where adorable children sit at my feet and listen with rapt attention (usually) while I read them picturebooks. And yes, I get to hold events with authors and illustrators, meet them, hang out with them, find out their favorite type of signing pen and bottled water...

As if those weren't enough, one of the top reasons I love my job is that, on the rare occasion, an author will unexpectedly stop by for a visit. Those are some of the best days of all. Working at a bookstore in the Pioneer Valley, where the old adage says you can't throw a stone without hitting a children's book author or illustrator, greatly increases the chances of a surprise visit. Today, I got one from author/illustrator David Hyde Costello!

David is the author of Here They Come! (9780374330514, Farrar Straus Girroux - Macmillan, $15), a really fun Halloween book told from the point of view of small monsters. You see the monsters celebrate Halloween with a big party until strange creatures show up wearing all kinds of crazy costumes and scare the monsters away. Can you guess what type of creatures are beneath those costumes? (Answer: Human children.) Wonderful for storytime with a crowd, or if you're taking a closer look, make sure to keep an eye out for the sneaky subplots happening in the illustrations. SIGNED COPIES AVAILABLE AT THE ODYSSEY BOOKSHOP.

David's newest book is I Can Help (9780374335267, Farrar Straus Giroux - Macmillan, $12.99). In addition to the simple, colorful illustrations, the trim size is my favorite part. This book is perfect for the little hands of the youngest picturebook reader. The charming story is perfect for that age, too, about baby animals helping each other in various ways. What child hasn't said, "I can help!"? SIGNED COPIES AVAILABLE AT THE ODYSSEY BOOKSHOP.

Thanks, David, for stopping by!

Ode to Stephen Gammell

Author and illustrator Stephen Gammell's work is known in two very different veins: sassy, whimsical picturebook illustrator and nightmare-inducing, horror illustrator.

My first introduction to his work was through his Caldecott Award winning book Song and Dance Man (9780679819950, Random House, $6.99). I loved having my parents read the story to me, but it was for the illustrations that I flipped through the book again and again. When I became the Children's Department Manager at the Odyssey, there was an established section of award-winning picture books. Song and Dance Man was one of the first books I ordered in for that section.

More recently, I posted about discovering My Friend, the Starfinder by George Ella Lyon (9781416927389, Simon & Schuster, $16.99) and my love of his newest picturebook How the Nobble Was Finally Found by C.K. Williams (9780152054601, Houghton Mifflin Harcourt, $18).

What I didn't realize until I began researching him is that most people know Gammell as the illustrator for Scary Stories to Tell in the Dark by Alvin Schwartz (9780064401708, Harper, $5.99). I vaguely remember this book from a 3rd grade slumber party where I got so freaked out, I couldn't sleep for days.

It's amazing to me that his picturebook illustrations create such a different mood that until today, I never made the connection between the nightmare-inducing images of my childhood and the exquisitely detailed, beautifully vivid, almost ethereal picturebook illustrations. It speaks to the versatility of Stephen Gammell as an illustrator, as do his two other Caldecott Honor-winning picturebook titles The Relatives Came by Cynthia Rylant (9780689717383, Simon & Schuster, $7.99) and Where the Buffaloes Begin by Olaf Baker (9780140505603, Penguin, $6.99).

Sadly a few of his books are out of print, but here are some favorites, in addition to those already mentioned, still available at your local bookshop:

The Secret Science Project That Almost Ate the School
by Judy Sierra
9781416911753, Simon & Schuster, $16.95

Old Henry
by Joan Blos
9780688099350, Mulberry Books, $6.99

Old Black Fly
by Jim Aylesworth
9780805039245, Henry Holt & Co. (Macmillan), $7.99

I Know an Old Teacher
by Anne Bowen
9780822579847, Lerner Publishing Group, $16.95


Hey, Pancakes!
by Tamson Weston
9780152165024, Houghton Mifflin Harcourt, $17

The Burger and the Hot Dog
by Jim Aylesworth
9780689838972, Simon & Schuster, $17.99

Airmail to the Moon
by Tom Birdseye
9780823407545, Holiday House, $6.95 
 

As it is National Poetry Month, I would be remiss in not mentioning his illustrations for Dancing Teepees: Poems of American Indian Youth by Virginia Driving Hawk Sneve (9780823408795, Holiday House, $8.95).

Check out Stephen Gammell's profiles from these publishers:
HarperCollins
Houghton Mifflin Harcourt 
Macmillan
Random House
Simon & Schuster

I hope you have a chance to examine his work. You won't be disappointed.

She said, He said: Novels with multiple narrators

A sales rep friend posed this question online today:

I have a writer friend who is looking for YA (or adult) novels that are told in alternating voices. She wants examples where each character has a chapter and they go back and forth between points of view. It’s a bonus if the characters live in different time periods.

The varied responses from the people who answered her, and the fact that I'm working on a YA novel told from various view points, made me reflect on that topic.

A co-worker once lamented about dual-narrator novels, saying something to the effect of, "Unless it's written really really well, it's a cop-out" (I'm paraphrasing greatly here). After I heard her reasoning, I admit I judged dual-narrator novels more harshly, despite writing one of my own.

The way I defend my own writing is that I didn't want to tell the entire novel from a third-person omniscient narrator POV, and both main characters are, ya know, main characters with two distinct voices, so...mine works (I hope).

But what really makes a novel work with multiple voices and in which cases is it unnecessary to the plot? A lot of novels have more than one main character, or really important secondary characters; why should they not all have their own voice? Often scenes are told from the POV of a character other than the main character, but almost never in first person. It is the omniscient narrator that allows the reader to gaze through the eyes of a secondary character, and it abundantly clear that the POV of the primary protagonist is the central focus.

Of course, I'm also confusing this subject by talking about POV (point-of-view), voices, and narrators, and all that doesn't include various storytelling formats such as diary entries, letters, phone conversation transcripts, and the recently more common emails and text messages. Where do all of these fit into the subject of multiple narrators?

While I don't have concrete answers to the questions I've posed, here are some books to hold up as examples for things I think they do particularly well.

My Most Excellent Year by Steve Kluger (9780142413432, $8.99, Penguin) is my go-to favorite for multiple narrator/multiple format storytelling. This is a YA novel about three contemporary teenagers. The novel exhibits three different main character points-of-view, with plenty of secondary characters, texts, emails, IMs, diary entries, and expository scenes.

Another favorite contemporary YA novel that switches not only narrators, but also time periods, is Printz Award-winning Jellicoe Road by Melina Marchetta (9780061431852, $8.99, Harper). Warning: It makes me sob (good tears) every time I read it; it's that good.

A new, not-yet-released YA novel told by dual narrators is Will Grayson, Will Grayson by John Green and David Levithan (9780525421580, $17.99, Penguin, Pub. Date: April 2010). Interestingly, the two different view points are written by two different authors.

My favorite adult novel, though sadly out-of-print, is Letters from an Age of Reason by Nora Hague (9780060959852, Harper). Told in alternating sections, letters and journal entries chronicle the relationship between a white American living in England during the Civil War years, and the high-yellow former slave from New Orleans she falls in love with.

Also told in letters, is a non-fiction book, 84, Charing Cross Road by Helene Hanff (9780140143508, $13, Penguin), which covers the decades of correspondence between Helene, the American author, and the people from the bookstore at 84 Charing Cross Road. Also adult.

Similar to 84... is the best-seller The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows (9780385341004, $14, Random House). Also about an American author corresponding with British people, this takes place right after WWII, and delicately showcases the friendships and budding romance. Also adult.

Nora Roberts, also writing as J.D. Robb, often writes scenes from a secondary character's point of view, though it is always clear who the main character is. Her more romantic novels are almost always told primarily through the woman's point of view, but a great strength of her novels are the scenes that are seen through the man's eyes. In her J.D. Robb ...In Death mysteries, not only does the reader see Eve Dallas's and her husband Roarke's POV, but scenes from various victims' POV are often presented as well.

For another great mystery, read Darling Jim by Christian Moerk (9780805092080, $15, Henry Hold (MPS)), told from the POVs of a postman, a dead woman and her diary, and a live woman and her diary, among others.

I've noticed YA fantasy novels have a propensity for being told with dual narrators. Here is a quick list of books I've read that showcase dual or multiple narrators that are currently on the store's shelves:

Hearts at Stake (9780802720740, $9.99, Walker & Company (Bloomsbury, MPS)) and Blood Feud (9780802720962, $9.99, Walker & Company (Bloomsbury, MPS)) by Alyxandra Harvey

Incarceron (9780803733961, $17.99, Penguin) by Catherine Fisher

Leviathan (9781416971733, $19.99, Simon) by Scott Westerfeld

Sorcery & Cecelia, or, The Enchanted Chocolate Pot (9780152053000, $6.95, Houghton Mifflin Harcourt) by Patricia C. Wrede & Caroline Stevermer

Witch & Wizard (9780316036245, $17.99, Little, Brown & Co.) by James Patterson & Gabrielle Charbonnet

Do you have any examples of novels of this ilk you'd like to share?