9.17.2010

Book Blogger Hop!

Book Blogger Hop
This is my third Book Blogger Hop, hosted by Crazy-for-Books, discovered (by me) through Presenting Lenore - thanks to both these blog/gers for providing a great way to meet new blog/gers!

To see the amazing blogs I discovered previously, visit my first Hop and my second Hop.

As this is Book Blogger Appreciation Week, as part of the Hop, I will be sharing my "favorite book bloggers and why [I] love them".

I, of course, have to begin with Seven Impossible Things Before Breakfast, commonly known as Seven Imp, a book blog about children's books that is (if I may give my humble opinion) the preeminent children's book world blog. Interviews, artwork, children's book world discussions, this blog is a treasure trove of goodies waiting to be explored almost every day. Also, personally, they're named after a Lewis Carroll Alice in Wonderland quote, so how can I not love that?

a thousand Books with Quotes is another blog I look up often, as I appreciate the sampling of quotes from each book with the general synopsis. Better than any "look inside!" preview, it whets the appetite even more to find out what those quotes are about and where they fit in to the overall plot.

Last, but not least, As the Crowe Flies and Reads by my friend and former co-worker Ms. Emily Crowe is a fabulous read-and-travel-log. Sharing informed opinions, asking critical question, reviewing great books, and showcasing incredible photography and travel stories, this is one of my favorite blogs whether I'm looking for a literary book recommendation or my next dream vacation.

Blogs I have discovered today through the Hop include:

1. Pen and Paper, who gave me a great idea for a post about a Shelf of Awesome, coming soon, I hope!
2. Blkosiner's Book Blog hosted the original Shelf of Awesome idea.
3. A Trillian Books has an adorable blog design and great YA and adult book reviews.

4. For What It's Worth also has a stylish blog design and combines book reviews with music reviews - how great is that? I love discovering both!

As always, check 'em out!

Also just discovered this Follow My Book Blog Friday:




Hosted by Parajunkee, this is very similar to the Book Blogger Hop mentioned above. Today they are featuring Bailey of IB Book Blogging, and the question is: Do you read YA or stick with adult?

Both, of course! (Of course for me, anyway.) But this blog is for my children's/YA book review-related posts only. My adult book reviews can be found on Afterthoughts for Adults.

Thanks to Bloggin' 'Bout Books for turning me on to this! Share/Bookmark

9.15.2010

Houghton Mifflin Harcourt Book of the Day: I Ain't Gonna Paint No More! by Karen Beaumont, illustrated by David Catrow

#5 in the HMH Book of the Day series:

I Ain't Gonna Paint No More!
by Karen Beaumont, illustrated by David Catrow
9780152024888, $16

Despite not knowing the tune to the song "It Ain't Gonna Rain No More," the new lyrics stand on their own as very funny, lively, interactive text, whether you're literally painting or just reading and singing along. A little boy paints all over his house - the walls, the curtains, the ceiling, the floor - so his mother forbids him to paint anymore. The boy gets around this by painting himself while singing this song, with such lyrics as, "Guess there ain't no harm if I paint my...[kids guess as you flip the page] ARM! Now I ain't gonna paint no more." Kids can mime painting themselves while dancing around and signing this song.

If you're reading this at an activity-based storytime, you can have the kids draw an outline of themselves, and then paint in the body like the illustrations in the book. The illustrations are black-and-white outlines with shading; as the little boy paints himself, each body part becomes a riotous mix of colors, shapes, styles, and images. This illustration style really appeals to me, and if it does to you, too, check out Super-Completely and Totally the Messiest by Judith Viorst, illustrated by Robin Preiss Glasser, one of my favorites. Share/Bookmark

9.08.2010

Houghton Mifflin Harcourt Book of the Day: Sisters by David McPhail

#4 in the HMH Book of the Day series:

Sisters
by David McPhail
9780152046590, $9.99

Originally published in 1984, this delightful little book (apparently I have a preference for books with a small trim size) is perfect for the care package I'm sending to my sister at college. Published with a new jacket image and color illustrations for the first time in 2003, each page exhibits spot illustrations of romping sisters, demonstrating how they are alike and how they are not. The most important thing, of course, is that no matter how different they may be, they both love each other a lot. Sweet without becoming saccharine. Share/Bookmark

9.02.2010

What I Learned From My Summer Internship, Part 3

Good news on the summer internship front: It has now been extended into a fall internship. Hooray!

Beginning today, for the next 10 weeks (or until I find a full-time position), I will remain the Children's Editorial Intern, now working directly with Kate O'Sullivan, Senior Editor at Houghton Mifflin, as well as with other HMH children's editors, including Margaret Raymo, Ann Rider, Erica Zappy, and editorial assistant Christine Krones. I will continue to read manuscripts and write reader reports, make my way through slush piles, write decline letters, and in general learn more about the Houghton Mifflin way of children's publishing.

Subsequent postings on my experiences will be entitled "What I Learned From My Fall Internship". Also, I hope to continue posting (albeit sporadically) the Houghton Mifflin Harcourt Book of the Day. Lastly, check out Afterfonts..., my blog dealing with things typographical- and word-related, where I sometimes post the new vocabulary words I've learned from all my reading. Occasionally, I also get the urge to make words up, like the word hippoltergeist, a word that came about when I somehow got the words hyperpolyglot and poltergeist mashed together in my head. A fellow intern and I decided hippoltergeist should be defined in this way:

hippoltergeist, n.

-the spirit of a deceased hippopotamus that wreaks havoc on family homes, mainly in the children's bedrooms, though not in a malicious way Share/Bookmark

8.16.2010

Library Love

Feelin' the library love today. Hope all y'all do too.

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8.13.2010

Houghton Mifflin Harcourt Book of the Day: Out of the Egg by Tina Matthews

Third in the HMH Book of the Day series is...

Out of the Egg
by Tina Matthews
9780618737413, $12.95

A retelling of the Little Red Hen, Tina Matthews updates not only the illustrations, but the ending as well. The illustrations depict a mix of country and city elements complete with farm, apartment buildings, cars, computers, and telephone wires, yet the simple woodcuts in black, red, and green maintain the classic feel this tale requires.

For those who don't remember the story, the Little Red Hen finds a seed, plants it, and cares for it. She asks Fat Cat, Dirty Rat, and Greedy Pig for help throughout the seasons, but "Not I," they say each time. "Then I shall [insert task here] myself," answers the Little Red Hen. Over the years, the seed grows into a large tree, providing a safe space for the Red Hen to lay her egg. Soon a little chick appears, as does a little cat, a little rat, and a little pig. When the Red Hen would deny the little cat, little rat, and little pig the chance to play beneath her shady tree, she learns a lesson in kindness from her cheeky little chick.

I don't know if the title is a play on the phrase "out of the mouths of babes," but that's what I always think of when I relate the title to this book, for out of the egg came a little chick and out of her mouth comes true friendship. Share/Bookmark

8.12.2010

What I Learned From My Summer Internship, Part 2

Today I want to share two issues I learned about this summer that had not previously occurred to me as problems editors encounter.

The first issue involves an author an editor has worked with before. Say Editor A has published Book B by Author C. Author C's agent then continues to submit Author C's work to Editor A. Unfortunately, none of the work appeals to Editor A as much as Book B did. This could be for any number of reasons - different subject matter, different genre, not as well written, etc. Yet Editor A doesn't want to lose Author C as one of "their" authors. If Editor A continues to turn down Author C's manuscripts, the agent is no longer going to submit them to the editor. This would disappoint Editor A, because Editor A believes in Author C, and thinks Author C is capable of producing another book as good as Editor A thought Book B was. What's Editor A to do?

I was surprised at this situation, having never thought the continued working relationship between editor and author would be anything other than magical (naive, I know). What should/could/would an editor do in that situation? There's no hard-and-fast rule. Anyone in that situation has a number of options, including acquiring a book the editor is not as thrilled with, just to keep the author as one of "theirs" - perhaps they could work on it together to make it more like whatever the editor liked about Book B; not acquire anything and let the author go elsewhere; or perhaps an unorthodox option would be to talk to the author directly to inquire what else the author might be working on to see if there's anything similar to Book B (I thought of this one myself, so I don't know if it would really work).

The second issue is trickier, and is almost more philosophical or ethical than strictly editorial. Let me make it clear that this is a line of questioning I'm pursuing on my own, not in affiliation with any publishing company. In this scenario, Editor A purchased Book B from Author C. Though several people read the manuscript, it wasn't until after acquiring it that someone realized the manuscript for Book B was awfully similar to Movie Plot D. Names, characters, and general themes were changed, but the basic plot points were eerily similar. Now is that plagiarism of ideas or not? And if it is, what should the editor do? Book B is obviously going to be a huge hit for various reasons. To complicate matters, say Editor A has not worked with Author C before; therefore there is no rapport for Editor to say, "Look, Author C, what's up with this manuscript?" What's Editor A to do? Un-acquire Book B, a book that's sure to be a best-seller? Confront the unknown author and risk having Author C pull the project and hand it to a different publisher? Or ignore the similarities and publish it anyway?

I don't have a ready answer to this second issue myself. Does anyone have an opinion on this?

These are two of the major issues that stand out to me as particularly difficult to negotiate, and are probably indicative of the types of decisions editors deal with on a daily basis (though I imagine situation 1 is more common than situation 2, though I don't know for sure). While a part of me can not wait for the day when I have the power to make decisions like these, it is very clear to me that I will need years more experience before I feel comfortable handling a decision like that on my own. I'm very much looking forward to continuing to work my way up to that. Share/Bookmark

8.11.2010

What I Learned From My Summer Internship, Part 1

I can hardly believe that one week from Friday, my internship with Houghton Mifflin will be over. Ten weeks wasn't nearly enough time to fully absorb everything, yet I also learned so much from the wonderful editors I've worked with this summer.

Margaret Raymo, Kate O'Sullivan, and Erica Zappy were the Editors "on location" in the Houghton Mifflin Boston office, with the knowledgeable Christine Krones as Editorial Assistant, and the ever-helpful Meredith Wilson as Assistant to the Publisher. Editor Ann Rider also sent me tasks from her home office in Minnesota.

My primary responsibility was to read, read, read - a job with which I had no problem, as you might imagine. I read manuscript submissions for the various editors and wrote reader reports. What are reader reports, you ask? Basically, it's my opinion. How great is that? As I clearly have no trouble stating my opinion, that's pretty much the perfect task for me. What was harder was putting into words the feelings I get from reading manuscripts, both those that appealed to me and those that didn't. What was it I was/was not liking? What about that character was so compelling? Was the dialogue too stilted and unreal? What impressed me about that turn of phrase or plot sequence? Could a paragraph be removed to tighten a scene? I don't know how other interns/editorial assistants work, but nothing seemed too large or too small for me to comment about. Thanks to my MFA and the critical papers I spent the last two years writing, I was somewhat more prepared to describe the answers to these questions using (I hope!) appropriately descriptive language and industry jargon. The hardest part about this? Not knowing if or when I might see the books I liked in print. It IS thrilling, though, to know that at least a few manuscripts I liked were acquired during the time I was at HMH. Sometime in the next few years, I'll be able to pass a bookstore shelf and smile, knowing I'd read the manuscript version years prior.

Other fun editorial tasks I learned included how to write decline letters, catalogue descriptions, and flap copy. For decline letters, I learned never to send them right before a major holiday - even if it clears off my desk, the recipient won't be so pleased. I also learned to say something nice before making a suggestion, much like operating within a writing group structure. Lastly, personal to me, I had to learn to change my tone - I was sounding too condescending (shocker!). Catalogue descriptions are comprised of a one-liner sell-line, a short descriptive paragraph, and maybe an excerpt from the book. This all goes into the catalogue publishers put together to give to their reps who sell to bookstores and other retail accounts. As for flap copy, in April 2011, go take a look for The Adventures of Sir Gawain the True, Book 3 in the Knights' Tales series by acclaimed Arthurian author Gerald Morris, illustrated by Aaron Renier (9780547418551, $14.99). On the cover of the book, on the inside flap, should be printed my synopsis/description of the tale. Book 1 is pictured here; this series has been approved by the eight-year-old boy in the household I live in.

Last, but certainly not least, I also got to go through slush piles. Confession: this was my favorite part, second only to reading the actual solicited manuscripts. Slush piles are unsolicited manuscripts, sent to Houghton Mifflin by hopeful would-be authors who have not made a personal contact with any of the editors. Houghton Mifflin is one of the few publishers that still accepts unsolicited manuscripts; most publishers prefer that potential authors work through agents. The slush piles were my favorite because it was like a treasure hunt AND a project I got to organize at the same time. My fun-loving, slightly-OCD self was in heaven. What's even more exciting is that one of the picture books I plucked from the slush pile might get picked up by HMH! Nothing for sure yet but an editor is taking a second look at it. I have daydreams of helping an unknown author get their work published to the joyful satisfaction of us both. I can't help it; I'm an idealist.

Those are the major day-to-day tasks I work on. Stay tuned for the next installment of "What I Learned From My Summer Internship," when I will be discussing unexpected (by me) issues that editors come across.

Oh, the other thing I get to do? Go out for after-work-drinks with my fellow interns (and co-workers). Share/Bookmark

7.31.2010

Houghton Mifflin Harcourt Book of the Day: King Bidgood's in the Bathtub & Heckedy Peg by Audrey & Don Wood

Today will actually be a mini-ode to the author/illustrator genius of husband-and-wife team Audrey and Don Wood who publish a lot of work with Houghton Mifflin Harcourt.

King Bidgood's in the Bathtub
Hardcover: 9780152427306, $17
Paperback: 9780152054359, $7.99

A Caldecott Honor-winner, this book is a true delight to both read and look through, as there is so much happening in the illustrations that you'll want to spend forever discussing each page. Quirky rhyming at its best, this story is about King Bidgood who won't get out of the bathtub.

"Help! Help!" cried the Page when the sun came up.
"King Bidgood's in the bathtub, and he won't get out!
Oh, who knows what to do?"

The people of the court including the Queen, a Knight, and a Duke suggest various amusements to tempt the King out of the tub, but none of them work. All of the suggestions are adapted to working within the tub. Much hilarity for the readers ensue, while the poor Page has to run around not knowing what to do until FINALLY at the end of the day, he figures out a way to force the King out.

Heckedy Peg
Hardcover: 9780152336783, $17
Paperback: 9780152336790, $7

You'll find a similar depth of illustration in this picturebook, but a little less light-hearted story. Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, and Saturday are seven children told by their mother to not let any strangers in and don't touch fire while she goes to the market. She intends to bring back something for each one of them, but while she is gone, a clever witch convinces the children to open the door, light her pipe with sticks from the fire, and then turns them into food. When their mother gets back, she must rely on how well she knows her children in order to save them from being eaten by the witch. The illustrations are too bright to really be scary, and the mother is a tremendously loving force to be reckoned with at the end. Share/Bookmark